![]() In a story, this is could be considered the moment when the character is farthest along and feels the strongest urge to return home. The V chord and dominant area have a lot of tension because the 7 and 2 are have a pull to the root and want to resolve. The DOMINANT AREA is the section of the music that is built off the major chord consisting of 5 - 7 - 2 and is referred to in music as the V CHORD (“V” being the Roman Numeral for “five”). We will not study dominant seventh chords this quarter, but we will look at the area. ![]() The word “dominant” is used in music to label both chords and areas. To identify a major triad, write the root letter with a superscript capital M next to it: Bbᴹ. Major triads can also be built off the 4th and 5th scale degrees. Since the chord is stacked by thirds, it ends up sounding the scale degrees of 1 - 3 - 5. The MAJOR TRIAD is a triad stacked starting on the root of the major scale. Because thirds occur in major and minor qualities, a combination of major and minor thirds stacked on top of one another create four distinct triad qualities as explained below … TRIADS MAJOR TRIAD The most basic chord is called the TRIAD a 3-note chord where each note is the interval of a 3rd above the previous note. Many chords are four notes or more - especially in jazz harmony (which we will not study at length in Music Theory I). ![]() Anything less than three notes would be only an interval - the third note is what makes it a chord. WHAT IS A CHORD?Ī CHORD is three notes or more sounded harmonically all at once ( BLOCK CHORD) or spread out consecutively ( ARPEGGIO). Almost all Western Classical Music harmony is based on chords. Once you add a third note to an interval, you have created a chord. When we dig deeper into harmony, the next step would be to add a third note to the mix which will interact with two that we already have in an interval. We also know how notes interact in a set of two vertically or horizontally through aural and visual identification of specific intervals. ![]() Now that we have tackled scales and scale degrees, we have a grasp at how a note interacts with the next consecutive note over time. ![]()
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